Towards the Garden of Palms

RED Epic, cinemascope, 2014, 70 minutes

A wealthy man invites 6 guests to come and spend a week in his countryside estate located in strange foggy wetlands. Keeping a sharp eye on them is a rather ferocious dog and a pedantic butler. In the beginning it is not entirely clear why these people have been invited, or what the purpose of their stay is. Furthermore, to their surprise the house they are lodged in is old and dilapidated. They soon discover that it is expected of them to be the attentive audience as the host appears and presents his thoughts. His ideas are self-enamouring, verbose and melancholic and the whole experience is perceived to be a bit suffocating and pitiable. Why does he want to share all these thoughts? What is it he wants?

Taking literary cue from ensemble plays by Molière and Corneille as well as through cinematic iteirations of similar dynamics, this work is constructed much like “The Rules of the Game” by Jean Renoir and “Satántango” by Bela Tarr, where a group of people embody a movement towards a dramatic climax.

The film work interrelates with text based and photographic works as well as sculptures and found objects.

 

 

 

 

Mann-double
Rimbaud-centered